Andrei Rublev

Janasuci Andrei Rublev
perangko peringatan pada 1961
Bapa Venerabilis (Prepodobne), Biarawan dan Ikonografer
Lahirantara 1360 dan 1370
Meninggalantara 1427 dan 1430
Biara Andronikov, Moskow
Dihormati diGereja Ortodoks Timur
Persekutuan Anglikan
Kanonisasi6 Juni 1988, Trinity-St. Sergius Lavra oleh Konsili Lokal Gereja Ortodoks Rusia 1988
Pesta29 Januari, 4 Juli
AtributBerbusana biarawan Ortodoks, seringkali ditampilkan memegang sebuah ikon

Andrei Rublev (bahasa Rusia: Андре́й Рублёв; IPA: [ɐnˈdrʲej rʊˈblʲɵf] listen, juga ditransliterasikan menjadi Andrey Rublyov)[1] adalah seorang pelukis ikon Rusia kelahiran 1360an, dan wafat antara 1427 dan 1430[2] di Moskow. Ia dianggap sebagai salah satu pelukis Rusia abad pertengahan terbesar dari ikon-ikon dan fresko-fresko Kristen Ortodoks.

Referensi

Sumber

  • Andrei Rublev, sebuah film tahun 1966 garapan Andrei Tarkovsky yang berdasarkan pada kehidupan pelukis tersebut.
  • Mikhail V. Alpatov, Andrey Rublev, Moscow: Iskusstvo, 1972.
  • Gabriel Bunge, The Rublev Trinity, transl. Andrew Louth, St. Vladimir's Seminary Press, Crestwood, New York, 2007.
  • Sergius Golubtsov, Voplosh’enie bogoslovskih idey v tvorchestve prepodobnogo Andreya Rubleva [The realization of theological ideas in creative works of Andrey Rublev]. Bogoslovskie trudy 22, 20–40, 1981.
  • Troitca Andreya Rubleva [The Trinity of Andrey Rublev], Gerold I. Vzdornov (ed.), Moscow: Iskusstvo 1989.
  • Viktor N. Lazarev, The Russian Icon: From Its Origins to the Sixteenth Century, Gerold I. Vzdornov (ed.). Collegeville, MN: Liturgical Press, 1997.
  • Priscilla Hunt, Andrei Rublev's Old Testament Trinity Icon in Cultural Context, The Trinity-Sergius Lavr in Russian History and Culture: Readings in Russian Religious Culture, vol. 3, ed. Deacon Vladimir Tsurikov, (Jordanville, NY: Holy Trinity Seminary Press, 2006), 99-122.(See on-line at phslavic.com)
  • Priscilla Hunt, Andrei Rublev's Old Testament Trinity Icon: Problems of Meaning, Intertextuality, and Transmission, Symposion: A Journal of Russian (Religious) Thought, ed. Roy Robson, 7-12 (2002–2007), 15-46 (See on-line at www.phslavic.com)
  • Konrad Onasch, Das Problem des Lichtes in der Ikonomalerei Andrej Rublevs. Zur 600–Jahrfeier des grossen russischen Malers, vol. 28. Berlin: Berliner byzantinische Arbeiten, 1962.
  • Konrad Onasch, Das Gedankenmodell des byzantisch–slawischen Kirchenbaus. In Tausend Jahre Christentum in Russland, Karl Christian Felmy et al. (eds.), 539–543. Go¨ ttingen: Vandenhoeck und Ruprecht, 1988.
  • Eugeny N. Trubetskoi, Russkaya ikonopis'. Umozrenie w kraskah. Wopros o smysle vizni w drewnerusskoj religioznoj viwopisi [Russian icon painting. Colourful contemplation. Question of the meaning of life in early Russian religious painting], Moscow: Beliy Gorod, 2003 [1916].
  • Georgij Yu. Somov, Semiotic systemity of visual artworks: Case study of The Holy Trinity by Rublev Diarsipkan 2011-09-27 di Wayback Machine., Semiotica 166 (1/4), 1-79, 2007.

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