Two grand opera companies in Chicago, Illinois, have gone by the name Chicago Grand Opera Company during the first half of the 20th century. Like many opera ventures in Chicago, both succumbed to financial difficulties within a few years, and it wasn't until 1954 that a lasting company was formed in the city.
Hammerstein had been producing opera in competition with the Met for a number of years. His opposition, and difficulties arising from its own management disagreements cost the Metropolitan a deficit of close to $300,000 for the 1908–9 season; whereas Hammerstein made a profit of $229,000.[1] He had opera stars such as Luisa Tetrazzini, Mary Garden, John McCormack and Mario Sammarco at his service. However, he had considerably less success at his Philadelphia Opera House the following season, and on January 1, 1910 he confided to the press : "The operatic war is suicide."[2]Otto Kahn and his associates at the New York Met offered to buy Hammerstein out, and on April 26, 1910 he accepted $1,200,000 for his Manhattan and Philadelphia opera houses, plus an agreement that he and his son Arthur Hammerstein would not produce any opera for ten years in New York, Philadelphia, Boston or Chicago.[3]
The company also spent several months each year performing in the city of Philadelphia where it performed at the renamed Philadelphia Metropolitan Opera House (previously owned by Hammerstein) under the name the Philadelphia-Chicago Grand Opera Company in order to "satisfy the civic pride" of that city.[5]
After a season with no performances, the company was re-formed as the Chicago Opera Association, which ran from 1915–1921, and was re-constituted as the Chicago Civic Opera, which ran from 1921–1932.
Second company, 1933–35
The second Chicago Grand Opera Company was an attempt to keep opera going in Chicago after the collapse of the Chicago Civic Opera in 1932. It produced three seasons of opera at the Civic Opera House from 1933 to 1935 before it too succumbed to financial difficulties. It was succeeded by the Chicago City Opera Company, 1936–1939, and then the Chicago Opera Company, 1940–1946.
There was no resident opera company after that until 1954, when the Lyric Theatre of Chicago was established, and re-named Lyric Opera of Chicago two years later.