After attending grammar school at Schleusingen he studied law at Jena and Erfurt. In Erfurt he became acquainted with Wieland and through him with "Father" Gleim who in 1772 procured him the post of tutor in a family at Quedlinburg.[1]
In 1774, he went to Düsseldorf, where he assisted the poet JG Jacobi to edit the periodical Iris. Here the famous picture gallery inspired him with a passion for art, to the study of which he devoted himself with so much zeal and insight that Jacobi furnished him with funds for a stay in Italy, where he remained for three years (1780–1783).[1]
The work upon which Heinse's fame mainly rests is Ardinghello und die glückseligen Inseln (1787), a novel which forms the framework for the exposition of his views on art and life, the plot being laid in the Italy of the 16th century. This and his other novels Laidion, oder die eleusinischen Geheimnisse (1774) and Hildegard von Hohenthal (1796) combine the frank voluptuousness of Wieland with the enthusiasm of the "Sturm und Drang." Both as novelist and art critic, Heinse had considerable influence on the romantic school.[1]
Works
Sinngedichte (1771)
Die Kirschen (1773)
Laidion, oder die eleusinischen Geheimnisse (1774)
Heinse's complete works (Sämtliche Schriften) were published by Heinrich Laube in 10 volumes (Leipzig, 1838).[1] A newer version edited by Carl Schüddekopf is in 13 volumes (Leipzig, 1903–1925).
Literature
Heinrich Pröhle, Lessing, Wieland, Heinse (Liebel, Berlin, 1877)
Johann Schober, Johann Jacob Wilhelm Heinse, sein Leben and seine Werk (Wilhelm Friedrich, Leipzig, 1882)
Karl Detlev Jessen, Heinses Stellung zur bildenden Kunst (Mayer & Müller, Berlin, 1903).
Manfred Dick, Der junge Heinse in seiner Zeit (Wilhelm Fink, München, 1980)
Rita Terras, "Wilhelm Heinse", in James Hardin & Christoph E Schweitzer (eds.), Dictionary of Literary Biography, vol. 94: German Writers in the Age of Goethe: Sturm und Drang to Classicism, ISBN0810345749, pp. 67–71