Marisa Mell

Marisa Mell
Marisa Mell
	Mell during the filming of Danger: Diabolik (1968)
Born	Marlies Theres Moitzi; 24 February 1939; Graz, Nazi Germany (now Austria)
Died	16 May 1992 (aged 53); Vienna, Austria
Occupation	Actress
Spouse	Henri Tucci (m. 1959; div. 1963)
Partner	Stephen Boyd (1970-1972)

Marisa Mell (born Marlies Theres Moitzi; 24 February 1939 – 16 May 1992) was an Austrian actress. Typecast as a femme fatale in European arthouse and genre films, she is best regarded for her performances as Eva Kant in Mario Bava's critically re-assessed Danger: Diabolik (1968), and the dual role of Susan Dumurrier/Monica Weston in Lucio Fulci's giallo One on Top of the Other (1969).

After garnering popularity by appearing in such films as Venusberg (1963), French Dressing (1964), Masquerade (1965), Casanova 70 (1965) and Secret Agent Super Dragon (1966), Mell's attempt to launch a Broadway and Hollywood career ended with the failure of her debut musical Mata Hari. She settled in Italy, where her high-profile love life and long association with Pier Luigi Torri, a playboy who later became one of the world's most-wanted fugitives, made her familiar to readers of tabloid press stories about the European jet set and elite Roman nightclubs. Her other notable films during this period include Anyone Can Play (1968), Marta (1971), Ben and Charlie (1972), Seven Blood-Stained Orchids (1972), Gang War in Milan (1973), Mahogany (1975), Casanova & Co. (1977) and Mad Dog Killer (1977).

Despite her typically resilient onscreen persona, Mell was privately a vulnerable figure who suffered from bad luck, ill-judged personal choices, and drug use. By the late 1980s, these factors had eroded the qualities that had earned her initial stardom, and she was forced to spend the remainder of her life in Austria, where she subsisted in straitened circumstances.^[1]

Career

Mell left her home city of Graz to attend the Max Reinhardt drama school where her fellow students briefly included Senta Berger. After four years in stage work, she began to appear in starring roles in European films.^[1]

In 1963, she was involved in a serious automobile accident in France. For six hours, she lay unconscious, unaware that she nearly lost her right eye. The disfigurement extended to her lip as well. She spent the next two years undergoing plastic surgery, and no damage remained in her face except for a distinctive curl of her upper lip.^[1]

After the Eurospy film Secret Agent Super Dragon (1966), she secured the title role in the "utterly calamitous" musical Mata Hari alongside Pernell Roberts. A preview performance in Washington, D.C. became infamous for its numerous technical problems, and producer David Merrick decided to close the production.^[2] For the rest of her life, Mell had difficulty acknowledging the failure, which may have played a part in her moving to Italy where her stories of a successful Broadway run were not challenged.^[3] She said she had turned down a lucrative seven-year Hollywood contract because "the contract was a whole book. I think that even to go to the toilet I would have needed a permission."^[3] In 1968, Mell had her best-known film role as Eva Kant in Danger: Diabolik (1968), which initially was poorly received but has been championed by later film critics. At this time, Mell was appearing in what were by Italian standards major productions, which got American releases, such as Lucio Fulci's early giallo One on Top of the Other (1969). She suffered the death of a prematurely born daughter in 1969, and never had another child.^[3]^[1]

Mell's name had been romantically linked with number of European and Hollywood male stars, but in Italy she was often the center of paparazzi stories along with Pier Luigi Torri, her aristocratic, nightclub-owning boyfriend. In 1971, he got into a series of legal difficulties over cocaine being supplied to his nightclub's clients, and fled the country on his yacht. After being arrested in London over a $300 million gold mine and bank scam, and in an ironic echo of Danger: Diabolik, Torri got out of his cell, made a daring and acrobatic rooftop escape, and evaded a huge search by infuriated English police; he eventually was recaptured in America after 18 months at large.^[1] As one of the more recognizable beauties in Italian film, Mell continued to work steadily throughout the 1970s, and posed for Italian Playboy.^[1]

Mell's marketability depended on her youth and stunning looks, which hardly faded, even as she moved into middle age. In Italy, where she had been a genuine celebrity, her box-office appeal had declined by the late 1980s, hardly unusual for a woman of her age in that era. Mell's public profile was very low by her latter years although she got some acting work shortly before her 1992 death in Vienna, aged 53, from throat cancer.^[1]

Selected filmography

Das Licht der Liebe (1954) - (uncredited)
Das Nachtlokal zum Silbermond [de] (1959) - Liliane
Der brave Soldat Schwejk (1960) - Olly (uncredited)
Am Galgen hängt die Liebe [de] (1960) - Alka
Wegen Verführung Minderjähriger [de] (1960) - Inge
Lebensborn (1961) - Erika Meuring
The Cry of the Wild Geese (1961) - Judith Gare
The Puzzle of the Red Orchid (1962) - Lilian Ranger
Dr (1962) - Klara
Venusberg (1963) - Florentine
Der grüne Kakadu (1963) - Léocadie
A Man in His Prime (1964) - Brigitte
The Last Ride to Santa Cruz (1964) - Juanita
French Dressing (1964) - Françoise Fayol
Masquerade (1965) - Sophie
Casanova 70 (1965) - Thelma
Diamond Walkers (1965) - Irene de Ridder
City of Fear (1965) - Ilona
Train d'enfer (1965) - Frieda
Secret Agent Super Dragon (1966) - Charity Farrel
Objective 500 Million (1966) - Yo
Che notte ragazzi! (1966) - Mónica
Danger: Diabolik (1968) - Eva Kant
Anyone Can Play (1968) - Paola
Stuntman (1968) - Gloria Hall
One on Top of the Other (1969) - Susan Dumurrier / Monica Weston
Les belles au bois dormantes (1970) - Isabelle
Senza via d'uscita (1970) - Michèle
The Great Swindle (1971) - Carla
Marta (1971) - Marta / Pilar
Ben and Charlie (1972) - Sarah
Seven Blood-Stained Orchids (1972) - Anna Sartori / Maria Sartori
Alta tensión (1972) - Laura Moncada
Tutti fratelli nel West… per parte di padre (1972) - Lulu 'Miss Dynamite' Belle
Bella, ricca, lieve difetto fisico, cerca anima gemella (1973) - Paola
Gang War in Milan (1973) - Jasmina Sanders
Violent Blood Bath (1974) - Patricia Bataille
La moglie giovane (1974) - Louisa
Parapsycho – Spectrum of Fear (1975) - Greta
La encadenada (1975) - Gina / Elisabeth
Mahogany (1975) - Carlotta Gavina
Amori, letti e tradimenti (1975) - Greta
Taxi Love - Servizio per signora (1976)
L'ultima volta (1976) - Jusy
Casanova & Co. (1977) - Duchess of Cornaro
Es muss nicht immer Kaviar sein (1977, TV series) - Chantal
Mad Dog Killer (1977) - Giuliana
Obscene Desire (1978) - Amanda
Ring of Darkness [it] (1979) - Agatha
Under Siege (1980) - Kim Lombard
La liceale al mare con l'amica di papà (1980) - Violante - wife of Massimo
Peccati a Venezia (1980) - Melissa
La compagna di viaggio (1980) - Woman with hat-veil
Febbre a 40! (1980) - Linda Martin
La dottoressa preferisce i marinai (1981) - Mrs. Clara Morelli
Corpi nudi (1983) - Marisa
Seifenblasen (1984) - Fernsehjournalistin
La tempesta (1988)
Quest for the Mighty Sword (1990) - Nephele
Sensazioni d'amore (1990) - Signora Elena Aloisi
I Love Vienna (1991) - Selina (final film role)

References

^ ^a ^b ^c ^d ^e ^f ^g Tom Lisanti; Louis Paul (2002). Film Fatales: Women in Espionage Films and Television, 1962-1973. McFarland, Incorporated, Publishers. ISBN 1476667977.
^ "The Road: Merrick Shoots Mata". Time. 8 December 1967. Retrieved 5 February 2018.
^ ^a ^b ^c Peter Marks (24 March 2006). "A Role Rekindled". The Washington Post.