With smoke from a brazier, a magician makes a woman appear in midair and slowly float to the ground. Two assistants bring in an arrangement of pedestals, onto which they lead the woman. The magician blows soap bubbles through a straw, and they appear as women's faces, floating up to join the woman posing on the set of pedestals. Next they themselves change into real butterfly-winged women, before the whole tableau disappears.
Having his assistants bring on a wide plinth, the magician summons up the three women again, joining them on the plinth before they fade away. Finally, the magician curls up into a ball, becomes a giant soap bubble, and floats slowly upward. The magician returns to join his surprised assistants in a curtain call.
Méliès's final trick, curling into a fetal position and disappearing into the womb of the bubble, is reminiscent of his later film The Knight of Black Art (1907), in which he disappears into a large hoop. In both cases, he returns at the end of the film to reassure his frightened assistants.[1]
Release and legacy
Soap Bubbles was sold by Méliès's Star Film Company and is numbered 846–848 in its catalogues.[2] At his stage venue, the Théâtre Robert-Houdin, Méliès did a magic act between 1907 and 1910 developing the soap-bubble motif from the film. In the stage act, a ghost slept on a stool, with huge soap bubbles come out of his head as he snored. Three such bubbles floated around the stage, and three phosphorescent ghostly heads appeared inside them.[1]
References
^ abcEssai de reconstitution du catalogue français de la Star-Film; suivi d'une analyse catalographique des films de Georges Méliès recensés en France, Bois d'Arcy: Service des archives du film du Centre national de la cinématographie, 1981, pp. 255–56, ISBN2903053073
^Malthête, Jacques; Mannoni, Laurent (2008), L'oeuvre de Georges Méliès, Paris: Éditions de La Martinière, p. 350, ISBN9782732437323