The Traverse Theatre company commissions and develops new plays or adaptations from contemporary playwrights, and also presents productions from visiting companies.[3]
The Traverse produces shows under its banner and acts as a host venue for Edinburgh Fringe shows in August.[4] It is also the home of the Edinburgh International Children's Festival,[5] previously known as the Imaginate Festival.[citation needed]
History
The Traverse Theatre Club, originally opened by Cambridge Footlights as "The Sphinx Nightclub", began at 15 James Court, Lawnmarket, Edinburgh, on 20 August 1962. The location was a former doss-house and brothel also known as Kelly's Paradise and Hell's Kitchen.[citation needed] It was "a long, low-ceilinged first-floor room barely 15ft wide by 8ft high"[6] with 60 seats salvaged from the Palace Cinema placed in two blocks on either side of the stage. The theatre is named because Terry Lane mistakenly believed that the staging arrangement is called "traverse"; he later realised that it is "transverse" but it was already too well known to change it.[7] The first performance was on 2 January 1963, with the production of Orison, by Fernando Arrabal.[8]
Following a surveyor's report in March 1969, which stated that the internal floors of James Court were unsafe, the Traverse moved to a former sailmakers's loft at 112 West Bow in the east end of the Grassmarket.[citation needed] This larger space had a 100-seat theatre with flexible seating configurations.[citation needed] The first performance in this venue was on 24 August 1969.[citation needed] In its early days, the theatre included exhibition space for the visual arts, until 1966, when the administrators for that space – including Richard Demarco – moved away to establish what became the Richard Demarco Gallery.[6]
Cambridge Street, with the Usher Hall on the right
In 1992, the Traverse moved to its current location, 10 Cambridge Street, a £3.3 million purpose-built two theatre space with bar café created as part of Saltire Court development on Castle Terrace. The theatre's first performance at this location was on 3 July 1992.[7]
Traverse 1 is the larger space with flexible seating that can be moved to create many different configurations (e.g. transverse, end on, in the round, etc.). The most common configuration is 'end on' and has 214 seats. Traverse 2 is the smaller studio space - with new flexible seating was installed in September 2005 to allow for different staging configurations, the standard capacity is approximately 115 seats.[9]
The Traverse and the Edinburgh Festivals
Founded in 1962, the mission of the Traverse was to continue the spirit of the Edinburgh Festivals all year round.[1]
During the Festivals in August, the Traverse continues to present cutting edge new writing, as well as new work of all kinds to an international audience. The Traverse is occasionally referred to as 'The Fringe venue that got away',[citation needed] reflecting its current status as a permanent and integral part of the Edinburgh arts scene throughout the year.
Today August remains the busiest time for the Traverse. In 2010, in a first for Scottish theatre, a series of specially commissioned rehearsed readings by Enda Walsh, Linda McLean, David Eldridge, Simon Stephens and Marina Carr were broadcast live on 23 August 2010 to cinemas across the UK. One third (two of six) of 2010 Scotsman Fringe First Award winners were shows performed at the Traverse.[10]
Theatre critic Lyn Gardner has described the Traverse's programme as "the backbone of theatre on the Edinburgh Fringe."[11] "What you see there will often set the tone and tenor of the rest of the Fringe."[citation needed]
Many of the theatre's sponsored seats have personalised plaques, including Robbie Coltrane's "This is a no farting zone" and Tom Conti's "In memory of my longest dry".[citation needed]
Gareth Nicholls - Interim Artistic Director (Dec 2018 – Present)[15]
Controversies
At the second Traverse performance on 3 January 1963, lead actress Colette O'Neil was accidentally stabbed on stage. The knife, which was real, had caught in the folds of her costume and had gone into her side. The actress went on with the rest of the performance and was seen to at the end by a doctor who had been in the audience and later taken to hospital.[16] John Martin (co-founder of the Traverse and an early chairman of the board) says that the real knife was used because the space was so small and the audience sat so close to the stage a fake knife would have been detected. Richard Demarco says it was because they had no money and could not afford a paper one. [citation needed]
Throughout 1965 the Traverse Theatre Club was threatened with police raids due to homosexual themed content and fraternisation in a time when it was illegal.
At the 1967 Edinburgh Festival, 22 Traverse Theatre shows were performed; including Rochelle Owens' Futz!, which the Daily Express described as "Filth on the Fringe", and Alfred Jarry's Ubu in Chains, which featured Ma and Pa Ubu as 6-foot tall sexual organs.
At a meeting in 1971, Artistic Director Michael Rudman persuaded the Edinburgh Corporation to increase the Traverse grant but refused to give any assurances on the 'decency' of future productions.[17]