After the success of The Exorcist, Blatty reworked his 1966 novel Twinkle, Twinkle, "Killer" Kane! into a new novel titled The Ninth Configuration, published in 1978. He went on to adapt the novel into a film of the same name, The Ninth Configuration (1980), which was also his directorial debut. At the 38th Golden Globe Awards, the film won Best Screenplay and was nominated for Best Picture.
Blatty refused to have any involvement with the first sequel to The Exorcist, which was ultimately critically panned. However, he would go on to write and direct the second sequel, The Exorcist III (1990), which he adapted from his 1983 novel Legion. His second film as a director, The Exorcist III would turn out to be both his final directorial credit and his final screenplay credit.[1] Blatty would remain active as a novelist for the rest of his life; some of his later notable novels include Elsewhere (2009), Dimiter (2010) and Crazy (2010).
Early life and education
Blatty was born on January 7, 1928, in New York City.[2][3] He was the fifth
and youngest child of Lebanese immigrants,[3][4] Mary (née Mouakad), a devout Catholic and the niece of bishop Germanos Mouakkad, and Peter Blatty, a cloth cutter.[5][6] His parents separated when he was a toddler.[3] He was raised in what he described as "comfortable destitution" by his deeply religious mother, whose sole support came from peddling homemade quince jelly in the streets of Manhattan;[3][5] she once offered a jar of it to Franklin D. Roosevelt when the President was cutting the ribbon for the Queens–Midtown Tunnel, telling him, "For when you have company."[7] He lived at 28 different addresses during his childhood[5] because of nonpayment of rent.[8] "We never lived at the same address in New York for longer than two or three months at a time," Blatty told The Washington Post in 1972. "Eviction was the order of the day."[3] Blatty's mother died in 1967.[5]
He attended Brooklyn Preparatory, a Jesuit school, on a scholarship and graduated as class valedictorian in 1946.[5][9] He later attended Georgetown University on a scholarship,[5] where he earned his bachelor's degree in English in 1950.[3][10] "Those years at Georgetown were probably the best years of my life," Blatty said in 2015. "Until then, I’d never had a home."[3] While studying for his master's degree at George Washington University, Blatty took menial jobs.[6] Initially unable to find a job in teaching, he worked as a vacuum-cleaner door-to-door salesman, a beer-truck driver,[3] and as a United Airlines ticket agent.[2] He earned his master's in English literature from the George Washington University in 1954.[3][10] He then enlisted in the United States Air Force.[2][3]
Mustering out of the Air Force, he joined the United States Information Agency and worked as an editor based in Beirut, Lebanon.[2][5] Eventually, his writing talent emerged, and he began submitting humorous articles to magazines.[10]
Career
In the late 1950s, Blatty worked as the public relations director at Loyola University of Los Angeles[11] and as a publicity director at the University of Southern California.[12][3] He published his first book, Which Way to Mecca, Jack? in 1960,[5] a humorous look at both his early life, and his work at the United States Information Agency in Lebanon.[13][14] The book also tells of his successful masquerade as a Saudi Arabian prince when he got to Los Angeles. In 1961, while still pretending to be a prince, Blatty appeared as a contestant on the Groucho Marxquiz showYou Bet Your Life, winning $10,000,[2][5] enough money to quit his job and to write full-time.[5] Thereafter, he never held a regular job.[5][15]
Later Blatty resumed writing fiction.[2] In 1971, he wrote The Exorcist,[2] the story of a twelve-year-old girl possessed by a powerful demon, that topped The New York Times Best Seller list for 17 weeks and remained on the list for 57 consecutive weeks.[2] The book sold more than 13 million copies in the United States alone and was translated into over a dozen languages.[3] He later adapted it with director William Friedkin into the film version.[5] Blatty went on to win an Academy Award for his Exorcist screenplay,[5] as well as Golden Globes for Best Picture and Best Writing.[10] It also became the first horror film ever to be nominated for the best picture Oscar.[5]
In 1978, Blatty adapted his novel Twinkle, Twinkle, "Killer" Kane into a new book titled The Ninth Configuration,[2] and in 1980 he wrote, directed, and produced a film version, which focused on the question of the existence of God.[2] The film was a commercial flop despite critical acclaim. Movie critic Jerry Stein called it a "masterpiece" in The Cincinnati Post, and Peter Travers described it as "the finest large-scale American surrealist film ever made" in People magazine.[2] At the 38th Golden Globe Awards in 1981 it was nominated for three Golden Globes, and won the Best Writing Award[10] against competition that included The Elephant Man (1980), Ordinary People (1980), and Raging Bull (1980).[2] In 1983, Blatty wrote Legion, a sequel to The Exorcist which later became the basis of the film The Exorcist III.[2] At first he was unable to set up the production because he wanted to direct the film.[citation needed]Blatty's agent, Steve Jaffe, helped package the project[citation needed] with producer Carter DeHaven at Morgan Creek Productions. Blatty directed the film. He originally wanted the movie version to be titled Legion, but the film's producers wanted it to be more closely linked to the original. The first sequel, Exorcist II: The Heretic (1977), was disappointing both critically and commercially.[2] Blatty had no involvement with it and his own follow-up ignored it entirely.[2]
Blatty's son Peter Vincent Blatty died from a rare heart disorder in 2006 at the age of 19.[5][17] His death was the subject of Blatty's non-fiction book that is "part comic memoir, part argument for life after death", titled, Finding Peter: A True Story of the Hand of Providence and Evidence of Life After Death (2015).[17]
In 2011, The Exorcist was re-released in a 40th Anniversary Edition[5] in paperback, hardcover, and audiobook formats with new cover artwork. As described by Blatty, this new, updated edition features new and revised material.
The 40th Anniversary Edition of The Exorcist will have a touch of new material in it as part of an all-around polish of the dialogue and prose. First time around I never had the time (meaning the funds) to do a second draft, and this, finally, is it. With forty years to think about it, a few little changes were inevitable – plus one new character in a totally new very spooky scene. This is the version I would like to be remembered for.[18]
Tor/Forge have also re-published The Ninth Configuration[19] and Legion,[20] with new, updated cover artwork.
The Exorcist was eventually adapted into a stage play starring Richard Chamberlain and Brooke Shields in 2012 and a TV mini-series some years later.[6] The TV series debuted on Fox in 2016.[3] Internationally, the series premiered in Brazil on FX on September 23, 2016, the same day as in the U.S.[21] It premiered in Australia on showcase on December 4, 2016.[22]
Personal life
Blatty married four times and had seven children.[8] With his first wife, Mary Margaret Rigard, whom he married on February 18, 1950, he had three children: Christine Ann, Michael Peter, and Mary Joanne.[23] His first marriage ended in divorce after 13 years.[24] His second wife was Elizabeth Gilman, whom he married in 1965.[24] In July 1975 he married his third wife, tennis professional Linda Tuero, with whom he had two children: restaurant entrepreneur Billy and photojournalist J. T. Blatty.[24][25] Following the dissolution of his first three marriages,[3] Blatty married Julie Alicia Witbrodt, his fourth wife, in 1983,[26][5] with whom he had two children.[27] The couple remained together until Blatty's death.[8] After residing for many years in Hollywood and Aspen, Blatty settled in Bethesda, Maryland in 2000.[3]
Blatty was a Roman Catholic.[28] In 2012, he filed a canon law petition against his alma mater, Georgetown University, which he said has been at variance with Catholic Church teaching for decades, inviting speakers who support abortion rights and disobeying Pope John Paul II's instructions issued to Church-affiliated colleges and universities in 1990.[29] The Vatican rejected the petition in 2014.[30] In a response letter to Blatty, Archbishop Angelo Zani stated that this was because Blatty had not “suffered an objective change” at Georgetown's hands, but acknowledged that Blatty's case constituted "a well-founded complaint".[31]
Studies of Blatty's work include G. S. J. Barclay's Anatomy of Horror: The Masters of Occult Fiction.[32]
Critical essays on Blatty's work include Douglas E. Winter's essay in
A Dark Night's Dreaming: Contemporary American Horror Fiction,[33] and S. T. Joshi's essay
"William Peter Blatty: The Catholic Weird Tale" in The Modern Weird Tale: A Critique of Horror Fiction (2001).[34] Essays studying all Blatty's novels can be found in Benjamin Szumskyj's American Exorcist: Critical Essays on William Peter Blatty (McFarland, 2008).
Awards
Awards include:
The Commonwealth Club Silver Medal for Literature (The Exorcist)[35]
The Gabriel Award and American Film Festival Blue Ribbon for Insight TV series episode "Watts Made Out of Thread?"[10]
Demons Five, Exorcists Nothing: A Fable (1996)/Revised and re-released in 2013, retitled Demons Five, Exorcists Nothing: A Hollywood Christmas Carol[42]
Blatty, William Peter (1974). William Peter Blatty on 'The Exorcist': From Novel to Screen. Bantam Books. ISBN0-553-08687-1.
Blatty, William Peter (2001). If There Were Demons Then Perhaps There Were Angels: William Peter Blatty's Own Story of the Exorcist. Screenpress Books. ISBN1-901680-34-7.
^"Linda Tuero". Excellence in Education: Celebrating the Artistic, Academic, Athletic, and Administrative Achievements of the Women of Tulane University. Howard-Tilton Memorial Library. Retrieved March 30, 2022.
^Anatomy of Horror: The Masters of Occult Fiction
New York: St. Martins, 1978.
^
"Casting Out Demons: The Horror Fiction of William Peter Blatty"
in Tony Magistrale and Michael A. Morrison, eds. A Dark Night's Dreaming: Contemporary American Horror Fiction. Columbia, SC: University of South Carolina Press, 1996. ISBN1-57003-070-7. (pp. 84–96) .
^Joshi, S.T. (2001). The Modern Weird Tale: A Critique of Horror Fiction. McFarland & Company. ISBN978-0-7864-0986-0.