Zelmira

*Zelmira*
Zelmira
Opera by Gioachino Rossini
	Rossini c. 1820
Librettist	Andrea Leone Tottola
Language	Italian
Based on	Zelmire; by de Belloy
Premiere	16 February 1822; Teatro di San Carlo, Naples

Zelmira (Italian pronunciation: [dzelˈmiːra]) is an opera in two acts by Gioachino Rossini to a libretto by Andrea Leone Tottola. Based on the French play, Zelmire by de Belloy, it was the last of the composer's Neapolitan operas. Stendhal called its music Teutonic, comparing it with La clemenza di Tito but remarking: "...while Mozart would probably, had he lived, have grown completely Italian, Rossini may well, by the end of his career, have become more German than Beethoven himself!" ^[1]

Performance history

The first performance of Zelmira was in Naples at the Teatro di San Carlo on 16 February 1822. This was followed by a successful premiere in Vienna on 13 April 1822, as part of a three-month-long Rossini Festival for which Rossini wrote some additional music. Performances in several Italian cities were followed by the London premiere on 24 January 1824, with Rossini conducting and Isabella Colbran (now his wife) in the title role. It was seen in Paris in 1826. There was one presentation in the US in New Orleans "around" 1835.^[2]

Over 100 years were to pass before the opera was presented in Naples in 1965, but "to no great acclaim".^[2] The work was given a production by the Rome Opera in 1989 and revived at the Pesaro Festival in 2009 with a cast including Juan Diego Flórez, Kate Aldrich and Gregory Kunde.^[3]

Roles

Role	Voice type	Premiere Cast, 16 February 1822 (Conductor: Nicola Festa)
Polidoro, King of Lesbos	bass	Antonio Ambrosi
Zelmira, his daughter	soprano	Isabella Colbran
Emma, her confidant	contralto	Anna Maria Cecconi
Ilo, Prince of Troy and husband of Zelmira	tenor	Giovanni David
Antenore, a usurper from Mytilene	baritenor	Andrea Nozzari
Leucippo, his confidant, a general	bass-baritone	Michele Benedetti
Eacide, a follower of Prince Ilo	tenor	Gaetano Chizzola
High priest of Jupiter	bass	Massimo Orlandini
Priests, populace, Mytilene army, Ilo's followers, Zelmira's young son (silent)

Synopsis

The opera's complicated plot revolves around Zelmira, her father Polidoro, the wise and beloved king of the Isle of Lesbos, and her husband, Prince Ilo. Before the action begins, Ilo had departed the island to defend his homeland. While he was gone, Azor, the lord of Mytilene and a disappointed suitor of Zelmira, had invaded Lesbos with the intention of assassinating King Polidoro and taking over his throne. Zelmira, however, had managed to conceal her father in the royal mausoleum and then told Azor that he was hiding in the temple to Ceres. Azor burnt down the temple, thinking he had killed the King, but he was in turn killed on orders from Antenore, who also aspired to the throne.

Act 1

The Mytilene warriors are mourning the death of Azor. Antenore, with the help of Leucippo, plots to take over the throne of Lesbos by trying to incriminate Zelmira in the deaths of Azor and her father. At first, even Emma, Zelmira's confidante, believes the accusations. Fearing for the safety of her young son, Zelmira reveals to Emma that her father is still alive and asks her to take the child into hiding. Prince Ilo returns to the island. Zelmira is afraid to tell him of the accusations against her or to defend herself. Instead, Prince Ilo hears only Antenore's version of the story. Antenore is crowned King of Lesbos. Leucippo attempts to murder Ilo, but is stopped by Zelmira. Found with the dagger in her hand, Zelmira is now also accused of attempting to murder her husband and is imprisoned.

Act 2

Leucippo intercepts a letter from Zelmira to Ilo in which she tells him that her father is still alive and that the accusations against her are false. He and Antenore temporarily free her from prison and trick her into revealing her father's hiding place. Both father and daughter are recaptured and await their deaths at the hands of the plotters. Meanwhile, Prince Ilo is distraught at what he believes to be the death of Polidoro and the unhappy end to his marriage. Emma appears and tells Prince Ilo the truth about Zelmira. He and his men rescue Zelmira and Polidoro. Zelmira is happily reunited with her husband and child, while both Antenore and Leucippo are led off in chains.^[4]

Recordings

Year	Cast: Zelmira, Ilo, Emma, Antenore, Polidoro	Conductor, Opera House and Orchestra	Label ^[5]
1965	Virginia Zeani, Nicola Tagger, Anna Rota, Gastone Limarilli, Paolo Washington	Carlo Franci, Orchestra and Chorus of the Teatro San Carlo (Recording of a performance at Naples, 10 April)	Audio CD: Great Opera Performances Cat: G.O.P. 780; Opera d'Oro Cat: OPD 1455
1989	Cecilia Gasdia, William Matteuzzi, Bernarda Fink, Chris Merritt, Jose Garcia	Claudio Scimone, I Solisti Veneti	Audio CD: Erato Cat: 45419
2003	Elizabeth Futral, Antonino Siragusa, Manuela Custer, Bruce Ford, Marco Vinco	Maurizio Benini, Scottish Chamber Orchestra	Audio CD: Opera Rara Cat: ORC 27
2009	Kate Aldrich, Juan Diego Flórez, Marianna Pizzolato, Gregory Kunde, Alex Esposito	Roberto Abbado, Orchestra and Chorus of the Teatro Comunale di Bologna, (Recording of a performance at the Rossini Opera Festival in the Adriatic Arena, Pesaro, August)	DVD: Decca, Cat: 0440 074 3465 9
2020	Silvia Dalla Benetta, Mert Süngü, Marina Comparato, Joshua Stewart, Federico Sacchi	Gianluigi Gelmetti, Virtuosi Brunensis, Górecki Chamber Choir, Recorded live at the Rossini in Wildbad Festival	Audio CD:Naxos Records Cat:8660468-70

References

Notes

^ Stendhal 1970 edition, p. 394
^ ^a ^b Osborne, Charles 1994, p. 108
^ Allison, John (14 August 2009). "Rossini Opera Festival, review". The Telegraph. Retrieved 8 April 2018.
^ Narici, Ilaria, Zelmira, in Gelli, Piero & Poletti, Filippo (ed.) 2007, Dizionario dell'Opera 2008 (contains synopsis in Italian), Milan: Baldini Castoldi Dalai, pp. 1422-1423. ISBN 978-88-6073-184-5.
^ Recordings of Zelmira on operadis-opera-discography.org.uk

Sources

Gossett, Philip; Brauner, Patricia (2001), "Zelmira" in Holden, Amanda (ed.), The New Penguin Opera Guide, New York: Penguin Putnam. ISBN 0-14-029312-4
Greenwald, Helen and Hansell, Kathleen Kuzmick (2006), Zelmira: Dramma Per Musica in Two Acts by Andrea Leone Tottola. Critical edition prepared for the Fondazione Rossini, Vol. 33. Milan: Ricordi, 2006. Chicago: University of Chicago, 2006. ISBN 8889947004 ISBN 9788889947005
Kalmus/Belwin Mills has reprinted a piano-vocal score of apparently French origin with a table of contents. No recitatives are given and whole scenes are omitted.
Osborne, Charles (1994), The Bel Canto Operas of Rossini, Donizetti, and Bellini, London: Methuen; Portland, Oregon: Amadeus Press. ISBN 0931340713
Osborne, Richard (1990), Rossini, Ithaca, New York: Northeastern University Press. ISBN 1-55553-088-5
Osborne, Richard (1998), "Zelmira", in Stanley Sadie, (Ed.), The New Grove Dictionary of Opera, Vol. Four, pp. 1223—1224. London: Macmillan Publishers, Inc. ISBN 0-333-73432-7 ISBN 1-56159-228-5
Scimone, Claudio, (Trans. John Underwood), Notes on Zelmira in booklet accompanying the 1989 Erato recording.
Stendhal, (translated and annotated by Richard N. Coe), Life of Rossini, University of Washington Press, 1972 ISBN 978-0-670-42790-1 ISBN 0-295-95189-3

External links

Text of Zelmire by Pierre-Laurent de Belloy
The New York Times on the 1989 revival of Zelmira at the Rossini Opera Festival in Pesaro.
The Scotsman on the 2003 concert performance in Edinburgh.
Chris Mullins, 'Recording review: Zelmira, Opera Rara', Opera Today, 22 December 2004.
The University of Chicago Center for Italian Opera Studies has a definitive role list from the critical edition by Greenwald and Hansell and some musical analysis.