Ollie's domicile stands in disarray subsequent to an exuberant gathering held the preceding evening. The precarious situation is compounded when Ollie receives a telegram from his vacationing wife, informing him of her imminent return later that day. Fearing the repercussions of his wife's arrival to a cluttered domicile, Ollie enlists the assistance of his friend Stan to rectify the disorder.
However, their efforts to restore order prove futile, leading to further chaos and exacerbating the predicament. Ollie's frustration mounts as their attempts at cleanup yield unintended consequences, culminating in a calamitous mishap involving the mismanagement of the oven, resulting in a destructive explosion that wreaks havoc upon the living room and kitchen, as well as Ollie's attire and personal effects.
As the situation escalates, Ollie's wardrobe is besmirched by soot, immersed in dirty water, and coated in flour, leaving him with no alternative but to greet his returning wife in a comically inappropriate lodge uniform. Meanwhile, Stan endeavors to salvage the interior aesthetics of the dwelling.
Upon Ollie's return from the train station, bearing physical evidence of his misadventures and notably absent of his spouse, he discovers the lamentable state of his now-smoldering abode, courtesy of Stan's ill-fated attempt to ignite a fire within the hearth. Left to contemplate the wreckage amidst a deluge of rain, Ollie finds himself seated amidst the ruins.
Helpmates holds the distinction of being the first black-and-white film subjected to the process of film colorization. The pioneering endeavor commenced in 1983 under the auspices of Colorization, Inc., a subsidiary of Hal Roach Studios. Its inaugural public exhibition occurred at the 1984 International Helpmates Convention, organized by The Sons of the Desert, a Laurel and Hardy appreciation society.
The foray into colorization proved to be a lucrative venture for Hal Roach Studios, prompting the subsequent release of the colorized rendition of Way Out West on VHS and Betamax formats under the Hal Roach Studios Film Classics label. Helpmates received similar treatment, alongside The Music Box, in 1986. The technology notably employed in this early colorization process exhibited notable limitations compared to modern iterations, resulting in discernible continuity errors and extravagant color schemes.
Despite its commercial success, the colorization of Laurel and Hardy films was met with criticism. Foremost among the grievances was the alteration or outright removal of entire scenes, thereby compromising the integrity and essence of the original films. In Helpmates, significant modifications included condensing the panning shots of the party debris within Ollie's residence into freeze-frame stills and substantial editing of the pivotal phone conversation between Stan and Ollie regarding Stan's absence from the party due to concerns over hydrophosphates. The most contentious alteration involved the deletion of the scene wherein Ollie inadvertently crashes his head through a dresser drawer after Stan's discovery of a handkerchief.
Despite its completion in 1984, the colorized version of Helpmates was formally copyrighted in 1986. This discrepancy underscores the nuanced timeline of its production and subsequent public release, amidst both commercial success and critical scrutiny.