Filippo Caracciolo di Castagneto, Duke di Melito[1] Emilia Compagna dei Baroni Compagna
Mario Caracciolodei Duchidi Melito (15 May 1883 – 3 December 1958), known professionally as Mario Carillo and in society events as Count [2] Mario Caracciolo di Melito, was an Italian actor who worked in silent films in Hollywood in the 1920s.[3][4]
Biography
Origins
Mario was born as Nobile Mario Caracciolo dei Duchi [of the Dukes] di Melito (aka "Count"[2][5] Mario Caracciolo di Melito) into the House of Caracciolo, a wealthy noble family in Naples, in 1883 (some sources claim his birth year as 1894).[6] He was the cadet son of Filippo Caracciolo di Castagneto (1843-1904), 1st Duke di Melito, and wife the Duchess di Melito, born Donna Emilia Compagna dei Baroni [of the Barons] Compagna.[1]
Mario served as an officer in the Italian cavalry before moving to the United States.[7] He worked as an attaché at the Italian embassy in Washington, D.C., where he met and married Miriam Crosby in 1915.[8][9] The pair had a son, Ludovico (1920-1941).[10]
Hollywood career
Around 1920, he headed out to Hollywood alone to seek work as an actor. He also worked as a physiotherapist at the Los Angeles Athletic Club, where he met Rudolph Valentino.[11][12] He also had a fling with a young actress named Lucille LeSueur (better by the stage name she took on later, Joan Crawford).[11] Over the course of the decade, he appeared in several dozen films before returning to Italy with the aim of starting his own production company[13] (it does not appear that he was successful in this endeavor).
Later life
Mario died in Rome, Italy, on 3 December 1958; he was survived by his wife.[10]
There appears to be a case of mistaken identity at the heart of stories in the press that he was the Mario Caracciolo who was given supreme command of the Italian army's technical service by Mussolini during World War II.[13] This man's full name appears to have been named Mario Caracciolo di Feroleto; the two were around the same age.
^ abThe younger sons are not entitled to inherit the hereditary title of their father in the Nobility of Italy. They all usually bear from birth the junior titles of Nobile or Don.
^Thorold, W. J.; Hornblow, Arthur; Maxwell, Perriton; Beach, Stewart (1922). Theatre Magazine. Theatre Magazine Company.
^Muscio, Giuliana (30 October 2018). Napoli/New York/Hollywood: Film between Italy and the United States (Critical Studies in Italian America). New York City: Fordham University Press. ISBN9780823279388.
^S. George Ullman (1926). Valentino: As I Knew Him. Media History Digital Library (3rd ed.). New York, Macy-Masius.