Polari (from Italianparlare 'to talk') is a form of slang or cant historically used in Britain by some actors, circus and fairground showmen, professional wrestlers, merchant navy sailors, criminals and sex workers, and particularly among the gay subculture. There is some debate about its origins,[2] but it can be traced to at least the 19th century and possibly as early as the 16th century.[3] Polari has a long-standing connection with Punch and Judy street puppeteers, who traditionally used it to converse.[4]
Terminology
Alternative spellings include Parlare, Parlary, Palare, Palarie and Palari.
Description
Polari is a mixture of Romance (Italian[5] or Mediterranean Lingua Franca), Romani, rhyming slang, sailors' slang and thieves' cant, which later expanded to contain words from Yiddish and 1960s drug subculture slang. It was constantly evolving, with a small core lexicon of about 20 words, including: bona (good),[6]ajax (nearby), eek (face), cod (bad, in the sense of tacky or vile), naff (bad, in the sense of drab or dull, though borrowed into mainstream British English with a meaning more like that of cod), lattie (room, house, flat), nanti (not, no), omi (man), palone (woman), riah (hair), zhoosh or tjuz (smarten up, stylise), TBH ('to be had', sexually accessible), trade (sex) and vada (see).[7] There were once two distinct forms of Polari in London: an East End version which stressed Cockney rhyming slang and a West End version which stressed theatrical and classical influences. There was some interchange between the two.[8]
Usage
From the 19th century on, Polari was used in London fish markets, theatres, fairgrounds, and circuses, hence the many borrowings from Romani.[9] As many homosexual men worked in theatrical entertainment, it was also used among the gay subculture to disguise homosexuals from hostile outsiders and undercover policemen. It was also used extensively in the British Merchant Navy, where many gay men worked as waiters, stewards, and entertainers.[10]
Although William Shakespeare used the term bona (good, attractive) in Henry IV, Part 2 as part of the expression bona roba (a woman wearing an attractive outfit),[11] "little written evidence of Polari before the 1890s" exists according to Oxford English Dictionary associate editor Peter Gilliver. The dictionary's entry for rozzer (policeman) includes a quote from P. H. Emerson's 1893 book Signor Lippo – Burnt Cork Artiste:[12] "If the rozzers was to see him in bona clobber they'd take him for a gun" ("If the police were to see him dressed in this fine manner, they would know that he is a thief").[11]
The almost identical Parlyaree has been spoken in fairgrounds since at least the 17th century[13] and is still used by show travellers in England and Scotland. As theatrical booths, circus acts, and menageries were once common parts of European fairs, it is likely that the roots of Polari/Parlyaree lie in the period before both theatre and circus became independent of fairgrounds. The Parlyaree spoken on fairgrounds tends to borrow much more from Romani, as well as other languages and cants spoken by travelling people, such as thieves' cant and back slang.
Henry Mayhew gave an account of Polari as part of an interview with a Punch and Judy showman in the 1850s. The discussion he recorded references Punch's arrival in England, crediting these early shows to an Italian performer called Porcini (John Payne Collier's account calls him Porchini, a literal rendering of the Italian pronunciation).[14] Mayhew provides the following:
Punch Talk
"Bona Parle" means language; name of patter. "Yeute munjare" – no food. "Yeute lente" – no bed. "Yeute bivare" – no drink. I've "yeute munjare", and "yeute bivare", and, what's worse, "yeute lente". This is better than the costers' talk, because that ain't no slang and all, and this is a broken Italian, and much higher than the costers' lingo. We know what o'clock it is, besides.[4]
There are additional accounts of particular words that relate to puppet performance: "'Slumarys' – figures, frame, scenes, properties. 'Slum' – call, or unknown tongue"[4] ("unknown" is a reference to the "swazzle", a voice modifier used by Punch performers).
Decline
Polari had begun to fall into disuse among the gay subculture by the late 1960s. The popularity of the BBC radio comedy Round the Horne, with its camp gay characters Julian and Sandy, ensured that some of the Polari terms they used became public knowledge.[15] The need for a secret means of communication in the subculture also declined with the partial decriminalisation of adult homosexual acts in England and Wales under the Sexual Offences Act 1967; in the 1970s, the gay liberation movement began to view Polari as old-fashioned and perpetuating harmful camp stereotypes.[16]
Entry into mainstream slang
A number of words from Polari have entered mainstream slang. The list below includes words in general use with the meanings listed: acdc, barney, blag, butch, camp, khazi, cottaging, hoofer, mince, ogle, scarper, slap, strides, tod, [rough] trade.
The Polari word naff, meaning inferior or tacky, has an uncertain etymology. Michael Quinion says it is probably from the 16th-century Italian word gnaffa, meaning "a despicable person".[17] There are a number of false etymologies, many based on backronyms—"Not Available For Fucking", "Normal As Fuck", etc. The phrase "naff off" was used euphemistically in place of "fuck off" along with the intensifier "naffing" in Keith Waterhouse's Billy Liar (1959).[18] Usage of "naff" increased in the 1970s when the televisionsitcomPorridge employed it as an alternative to expletives which were not broadcastable at the time.[17]Princess Anne allegedly told a reporter to "naff off" at the Badminton horse trials in April 1982,[19] however, the photographers who were present have since stated that this was a censored version of what she actually said.[20]
In 1990 Morrissey released the single "Piccadilly Palare" containing a number of lyrics in Polari and exploring a subculture in which Polari was used. "Piccadilly Palare" later appeared on his compilation album Bona Drag, whose title is also taken from Polari.
In 1990, in Issue #35 of Grant Morrison's run of Doom Patrol, the character Danny the Street is introduced; they speak English heavily flavoured with Polari, with "bona to vada" ("good to see [you]") being their favourite way to greet friends.
In the 1998 film Velvet Goldmine, two characters speak Polari in a London nightclub. The scene has English subtitles in the American release of the film.
In 2002, two books on Polari were published, Polari: The Lost Language of Gay Men and Fantabulosa: A Dictionary of Polari and Gay Slang, both by Paul Baker.
In 2007, writer and activist Paul Burston launched Polari Literary Salon in London to platform LGBTQ+ writers. He launched the Polari First Book Prize in 2011. This was followed by the Polari Prize for LGBTQ+ writers at all stages of their career in 2019 and the Polari Children's & YA Prize in 2022.[28][29]
In 2012 and 2013, Manchester artists Jez Dolan and Joe Richardson presented a performance-based tour and exhibition titled Polari Mission, which explored LGBTQ+ history and language use in the UK. This was initially presented at The John Rylands Library for Manchester Pride and Contact Theatre for LGBT+ History Month, with an expanded exhibition from September 2013 at The John Rylands.
In December 2016, to launch LGBT+ History Month 2017 and celebrate the 50th anniversary of the 1967 Sexual Offences Act, poet Adam Lowe performed his Polari poem "Vada That" in Parliament's Speaker's House with accompaniment by musician Nikki Franklin.[38]
In the 2017 EP Ricky, gay singer Sakima used Polari.[39]
In 2019, the first opera in Polari, The Sins of the Cities of the Plain (based on the book of the same title), premiered at Espacio Turina in Seville, Spain. The libretto was written in Polari by librettist and playwright Fabrizio Funari and the music is by Germán Alonso. Niño de Elche played the main role. The opera was produced and performed by instrumental ensemble Proyecto OCNOS, formed by Pedro Rojas-Ogáyar and Gustavo A. Domínguez Ojalvo, with the support of ICAS Sevilla, Fundación BBVA and The Librettist.[40]
The same year, the English-language localisation of the Japanese video game Dragon Quest Builders 2 included a character called Jules, who spoke in Polari with non-standard capitalisation.[41][42]
In the 2022 film Elvis, Elvis' manager, Colonel Tom Parker, uses Polari (spelled "Palare") when speaking to carnival staff.
In his 2022 poetry film, The Tale of Benny Harris, Dr Lee Campbell of University of the Arts London explores ideas of masculinity and camp through Polari.[45]
Richard Milward's 2023 novel Man-Eating Typewriter is written almost entirely in Polari, in the form of fictional memoirs by the character Raymond M. Novak.
In 2023, Peepal Tree Press published Adam Lowe's debut poetry collection Patterflash, which features a number of Polari poems. The title is translated in the book's glossary as "Gossip, chat, ostentatious or pretentious speech; the lyrics pouring out of my gob".[46]
In the fourth episode of Funny Woman (2024), characters discuss BBC Radio using Polari in Round the Horne and visit a comedy club where gay and entertainment-industry characters converse in Polari.
effeminate (possibly from Italian campare or campeggiare "emphasise, make stand out") (possibly from the phrase 'camp follower' those itinerants who followed behind the men in uniform/highly decorative dress)
style hair, tart up, mince (cf. Romani zhouzho – "clean, neat")
zhoosh our riah – style our hair
zhooshy
showy
Usage examples
Omies and palones of the jury, vada well at the eek of the poor ome who stands before you, his lallies trembling. – taken from "Bona Law", one of the Julian and Sandy sketches from Round The Horne, written by Barry Took and Marty Feldman
Translation: "Men and women of the jury, look well at the face of the poor man who stands before you, his legs trembling."
So bona to vada...oh you! Your lovely eek and your lovely riah. – taken from "Piccadilly Palare", a song by Morrissey
Translation: "So good to see...oh you! Your lovely face and your lovely hair."
As feely ommes...we would zhoosh our riah, powder our eeks, climb into our bona new drag, don our batts and troll off to some bona bijou bar. In the bar we would stand around with our sisters, vada the bona cartes on the butch omme ajax who, if we fluttered our ogle riahs at him sweetly, might just troll over to offer a light for the unlit vogue clenched between our teeth. – taken from Parallel Lives, the memoirs of renowned gay journalist Peter Burton
Translation: "As young men...we would style our hair, powder our faces, climb into our great new clothes, don our shoes and wander/walk off to some great little bar. In the bar we would stand around with our gay companions, look at the great genitals on the butch man nearby who, if we fluttered our eyelashes at him sweetly, might just wander/walk over to offer a light for the unlit cigarette clenched between our teeth."
In the Are You Being Served? episode "The Old Order Changes", Captain Peacock asks Mr Humphries to get "some strides for the omi with the naff riah" (i.e., trousers for the fellow with the unstylish hair).[58]
^Baker, Paul (2002) Fantabulosa: A Dictionary of Polari and Gay Slang. London: Continuum ISBN0-8264-5961-7
^David McKenna, A Storm in a Teacup, Channel 4 Television, 1993.
^Jivani, Alkarim (January 1997). It's not unusual : a history of lesbian and gay Britain in the twentieth century. Bloomington. ISBN0253333482. OCLC37115577.{{cite book}}: CS1 maint: location missing publisher (link)
^Baker, Paul (22 March 2019). "What's Polari?". Fabulosa! The Story of Polari, Britain's Secret Gay Language. Lancaster University. Retrieved 11 April 2024.
^Waterhouse, Keith (1959). Billy Liar. Michael Joseph. pp. 35, 46. ISBN0-7181-1155-9.
p35 "Naff off, Stamp, for Christ sake!" p46 "Well which one of them's got the naffing engagement ring?"
^The New Partridge Dictionary of Slang and Unconventional English Dalzell and Victor (eds.) Routledge, 2006, Vol. II p. 1349.
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