Solondz is an atheist. In The A.V. Club's article "Is There a God?", he answered the question "Well, me, I'm an atheist, so I don't really believe there is. But I suppose I could be proven wrong."[5]
Career
1980s
Solondz's student short filmSchatt's Last Shot was produced in 1985, and was shown at least once in 1986.[4][6] The title character is a high schooler who wants to get into Stanford University, but his gym teacher hates him. The teacher fails him because he cannot make a shot in basketball. He has no luck with the girl of his dreams, but he wishes he was more like the coach, whom he challenges to a game of one-on-one.
In 1989 Solondz wrote and directed Fear, Anxiety & Depression,[4] an episodic comedy about fledgling playwright Ira (played by Solondz) and his frustrating interactions with women. The film contains several musical interludes, including three songs written for the film. Stanley Tucci appears in one of his early roles as an old, disliked acquaintance of Ira, who takes up playwriting on a whim and becomes the toast of Off-Broadway.
1990s
The frustrations of his first feature led Solondz to swear off further involvement with the industry. More than five years later, an attorney friend urged Solondz to give filmmaking another go, and promised partial finance for any project Solondz came up with.[citation needed] The end result was 1995's Welcome to the Dollhouse, which went on to win the Grand Jury Prize at the Sundance Film Festival.[2] The dark comedy follows the travails of Dawn Wiener, a bespectacled, toothy, and shy 7th-grade girl who is mercilessly teased at school and treated to alternating contempt and neglect at home. It was distinct from most earlier films about adolescent abuse due to its complex characterization. It gave a balanced and sometimes sympathetic portrayal of the bully antagonist Brandon, and its depiction of Dawn, the ostensible protagonist and victim of the story, showed her as deeply flawed and sometimes cruel and selfish herself. The film was a major success among critics,[4] and a moderate success at the box office. It was a festival hit, with screenings all over the world.
Solondz's next piece was Happiness (1998), a highly controversial film due to the themes explored in it, which range from rape, pedophilia, incest, suicide, and murder to a bizarre sexual phone caller. After the original distributor October Films dropped it, the film was distributed by Good Machine Releasing.[4] The movie received numerous awards,[4] including International Critics' Prize at the Cannes Film Festival,[2] and yielded strong critical praise for Solondz.
2000s
In 2001, Solondz released Storytelling, which premiered at the 2001 Cannes Film Festival.[4] It is a film separated into two parts, entitled "Fiction" and "Nonfiction." The two stories share two thematic elements, but deal with each in an autonomous manner. Solondz used this format because he wanted to "find a fresh structure, a fresh form, and a different way of tackling what may be identical geographical material."[7] When Solondz initially presented the film to the MPAA, he was told that if he wished to receive a rating other than NC-17, he would have to remove a scene of explicit sex involving a white female and a black male. However, a clause in Solondz's contract allowed him to cover part of the actors with a bright red box. "For me it's a great victory to have a big red box, the first red box in any studio feature [...] it's right in your face: You're not allowed to see this in our country."[7] Solondz did, however, remove a portion of the film (which has variously been reported as either a subplot of the second story, or a third story entirely) which contained a sex scene involving two male actors (one of whom was James Van Der Beek).[8]
Solondz's next film, Palindromes (2004), raised the eyebrows of many pundits and reviewers due to its themes of child molestation, statutory rape and abortion. Like all of Solondz's previous films, Palindromes is set in suburban New Jersey. It was released unrated in the US.
In July 2010, Solondz completed the script of his next film, Dark Horse, which was filmed in the fall of 2010. To Solondz's surprise, the Creative Artists Agency appreciated the script, the first time for a movie of his.[15][16] Solondz commented that he realized this is because "there's no rape, there's no child molestation, there's no masturbation, and then I thought, 'omg, why didn't I think of this years ago?'"[15][16]
On September 5, 2011, Dark Horse was presented at the Venice Film Festival. On October 14, 2011, Dark Horse made its European premiere at the BFI London Film Festival. The film received a mixed reception. On April 23, 2012, Dark Horse was announced as the Closing Night selection for Maryland Film Festival 2012.
Wiener-Dog premiered at Sundance 2016. The film tells the story of a dog, as she travels from home to home. Amazon purchased the film at the festival.[17] Starring an ensemble cast led by Ellen Burstyn, Kieran Culkin, Julie Delpy, Danny DeVito, Greta Gerwig, Tracy Letts, and Zosia Mamet, the film serves as a spin-off from Solondz’s 1995 film Welcome to the Dollhouse, which also features the character of Dawn Wiener. It was released in the US on June 24, 2016 to positive reviews.
2020s
As of February 2024, Solondz was arranging financing for his next film, Love Child. Starring Elizabeth Olsen and Charles Melton, it is set to be a twist on the story of Oedipus.[18][19]
In 2009, Solondz became an adjunct professor on the faculty of New York University's Tisch School of the Arts.[20] He teaches a course titled Directing and Writing the Feature.
In May 2019, Solondz spent a week as the filmmaker in residence at the Centre for Film and Screen at the University of Cambridge.[21]
Theatre work
In 2018, Solondz premiered his debut play, titled Emma and Max. The production began previews October 1, opened on October 14, and ran through November 4. It starred Ilana Becker, Zonya Love, Matt Servitto, and Rita Wolf. [22][23][24]
^ abSimone, "Dark Horse: il prossimo film di Todd Solondz," badtaste.it, July 12, 2010, retrieved July 15, 2010: "ho realizzato che non ci sono stupri, molestie ai bambini, non c'è masturbazione, e ho pensato 'oddio, perchè non li ho fatto anni fa?'."
Moore, Michelle E. "If It Was a Rape, Then Why Would She Be a Whore?: Rape in Todd Solondz' Films." Rape in Art Cinema. Ed. Dominique Russell. New York: Continuum Press, 2010. 129–144.