有代表性的新清史學者包括羅友枝(Evelyn Rawski)、歐立德(Mark C. Elliott)、柯嬌燕(英语:Pamela Kyle Crossley)(Pamela Kyle Crossley)、米華健(James A. Millward)、濮德培(Peter C. Perdue)、路康樂(Edward J. M. Rhoads)和傅雷(Philippe Forêt)等。
Pamela Kyle Crossley, A Translucent Mirror: History and Identity in Qing Imperial Ideology. Berkeley: University of California Press, 1999.
歐立德, 《The Manchu Way: The Eight Banners and Ethnic Identity in Late Imperial China》. Stanford: Stanford University Press, 2001.
Philippe Forêt, Mapping Chengde: The Qing Landscape Enterprise. Honolulu: University of Hawaii Press, 2000.
Jonathan S. Hay, Shitao: Painting and Modernity in Early Qing China. Cambridge: Cambridge University Press, 2001.
Laura Hostetler, Qing Colonial Enterprise: Ethnography and Cartography in Early Modern China. Chicago: University of Chicago Press, 2001.
Susan Mann, Precious Records: Women in China's Long Eighteenth Century. Stanford, CA: Stanford University Press, 1997.
米華健、Ruth W. Dunnell、歐立德、and Philippe Forêt (eds.), New Qing Imperial History: The Making of Inner Asian Empire at Qing Chengde. London: Routledge, 2004.
米華健,《Beyond the Pass: Economy, Ethnicity, and Empire in Qing Central Asia, 1759-1864》. Stanford, CA: Stanford University Press, 1998.
Evelyn S. Rawski, The Last Emperors: A Social History of Qing Imperial Institutions. Berkeley: University of California Press, 1998.
Angela Zito, Of Body and Brush: Grand Sacrifice as Text/Performance in Early Modern China. Chicago: University of Chicago Press, 1997.
Peter C. Perdue, China Marches West: The Qing Conquest of Central Eurasia. Cambridge: Harvard University Press, 2005.
^Waley-Cohen, Johanna. The New Qing History. Radical History Review. 2004, 88 (1): 193–206. Taken together, then, one of the most important findings of the new Qing history is that in many different spheres, we should think not so much in terms of binary opposites as in terms of a progressive erasure of clear demarcations in favor of a process of continuum and of simultaneity—both in those areas in which the Qing played a direct or deliberate part and in those beyond their immediate control.
^ 3.03.1Waley-Cohen, Johanna. The New Qing History. Radical History Review. 2004, 88 (1): 193–206. The Qianlong emperor in particular was famously skilled at presenting a different face to different subjects. While to his Chinese subjects he presented himself as a thoroughly Confucian ruler, to others he offered a different image.